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Different book signing events are already planned around the world. Most all event dates will be communicated in these columns starting in September. Today I have the pleasure to share eide you for the first time, the integrality of the preface of the book. We hope to see you very soon face-to-face for the book signing in your country. Maybe even as a man. Only the future will tell if I ezst surpass it in my lifetime. But I could not have imagined quite how trying it would be to attempt to understand and, I hope, explain the many aspects of Italian style, its creative abundance and releease genius, nor Far east side gentlemen need some release it would require so many sacrifices.
I knew from the outset Fat I would need to spend some time gebtlemen the other side of the Alps from my home in France, so as to deepen my knowledge of the Italian soul — although I thought I was already a connoisseur in the matter. After just a few weeks in Lombardy, Rome and the Bay of Naples, Far east side gentlemen need some release, I realized that I had been not a little presumptuous, and that properly dealing with the subject would take gentkemen time.
A lot of time, as it turned out. At the beginning ofas I was finishing my first book, The Parisian Gentleman, I was faced with two options. I could write the new book in my study in Paris, using the modern-day tools at my disposal the internet and emails and asking my talented friend Lyle Roblin, a Canadian by birth and adopted Milanese, to take the relevant pictures at the various houses and ateliers of my choice — tailors, shirt-makers, bootmakers and other specialists.
Or I could take a chance and dive into an unreasonable adventure unreasonable especially from an economic point of viewand write the book the old-fashioned way. I thought that would mean settling in Italy for a year or so with my dearly beloved wife, Sonya. In fact, it turned out to be almost three years, during which time I roamed relentlessly around the country in search of the best artisans, famed or unknown, easy to find or obscure.
The book you are reading is thus the result of three years of an immersion in the world of gentlemen and artisans: I hope it will serve you as a worthy guide in the fascinating and sometimes dismaying labyrinth of Italian style. In common with my previous volume, The Parisian Gentleman, this book does not claim to be a complete catalogue of all the Italian brands specializing in tailoring and shoemaking. Ten books would not be enough for that.
Neither do I attempt to give a precise and academic historical account of tailoring in Italy, its roots and its character. It would take a lifetime to do that correctly. Rather, this is the story of a journey to the heart of Italian elegance, one that became a personal journey in the most opulent showrooms as well as the most bare-boned workshops, the ritziest palaces and the dirtiest basements, the most surgically organized factories and the old boutiques of tailors who learned their trade in the s or s and still make exquisite clothes right there in their own living rooms.
I have tried to make sense of this wild amalgamation of complex layers, a fabulous story that no one tells in quite the same way in Italy, and to turn it into a book. It took all those three years to steer my way through a maze of personal stories, and that kind of experience makes you a different man. I feel I will never be the same again.