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Have you ever listened to a just-released album, gravitated toward one particular track and thought with certainty, "Oh, this song is definitely going to be a single! And then you wait, and other songs are chosen as singles from that Album tracks that should have been singles dating, and you keep waiting, and the album datnig ends… and you realize that the most obvious single trcks to you, at least was never chosen?
We know that feeling of incredulity: These songs will forever exist as precious album cuts and fun hypotheticals for pop nerds to kick around. Eating, yes, your favorite hit-maker has a song that could or did make this list. Check out 15 of the best pop songs from the past five years that weren't released as singles before their respective artists' album cycles came singls a close, but really should have been: The logical fourth syould that never was, of course, is this slinky Pharrell Williams cut, which Cyrus performed on television but never gave a Album tracks that should have been singles dating video or radio push.
Rihanna, "Lost In Paradise" Rihanna has been startlingly good at selecting the most sensible singles from each of her seven albums; scan through her discography, and you'll be fating to find too many irrepressible bangers that weren't given a shot at radio. One of the exceptions to that rule is traxks In Paradise," the final track on Unapologetic that steps forward on a contemplative foot and explodes when Rihanna declares, "It may be wrong but it feels right, to be lost in paradise!
The pop star gave "Really Don't Care," a Cher Lloyd collaboration in a similar vein, a proper single look, as well as more uptempo dance fare like "Heart Attack" and "Neon Lights. Those six songs help make 4 one of Beyonce's strongest full-lengths, and "End of Time" should have been squeezed into that group. Here's the best-kept secret of Red, though: Opening track "State of Grace" pummels the listener with guitar riffs as towering as skyscrapers and a central theme -- blindsiding love -- that can be summed up with a word chorus: Remember those pained shrieks at the end of "Scream"?
Produced by Greg Kurstin and co-written by Sia, Perry and Kurstin, "Double Rainbow" is not the powerhouse Sia co-write that Perry probably envisioned, but it's arresting enough to warrant multiple rewinds. All the way, "Double Rainbow" -- all the way. Nowhere is this more clear than "Roller Coaster," an understated funk delicacy with a savvy breakdown in the bridge leading into the glide of the chorus. Who says that all of Journals is downbeat?
The first of those five, of course, was the only one to not be released as a single -- and what a shame, because "Are We All We Are" is a classic fist-pounding-against-chest P! Seriously, listen to this song and wrap your head around the fact that the Strokes haven't made a rock song this good over the past decade. Maybe "Little Black Dress" wouldn't have caught on at radio, but it's a song that defiantly slays the image of 1D as a mainstream pop act, and goes a long way toward establishing their post-teenybopper cred.
Kesha, "Only Wanna Dance with You" Some of Kesha 's sophomore album Warrior sounds belabored, as if the electro-pop star's crazy misadventures needed to be spelled out in extreme detail; meanwhile, "Only Wanna Dance With You" remains disarmingly sweet, a tale of two kids drinking wine on the cement outside of anot wanting to develop feelings but knowing that they now exist. The airy ditty would have made for a lovely change-up to singles like "Die Young" and "C'Mon," but continues to be a hidden gem for Kesha completists.
Adele, "I'll Be Waiting" As one of the biggest-selling albums of the century and the home of three No. Still, could the rousing "I'll Be Waiting" have been the fourth No. The uncharacteristically fast tempo, nifty piano refrain and brassy vocal take combine for one of the album's most emphatic releases, and after "Set Fire to the Rain," "I'll Be Waiting" could have very well set Top 40 radio ablaze, had it been given the chance.